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Marketing With these files, we can conduct marketing activities. Years later, I got into H. Rap Brown and Nikki Giovanni. One of the first songs I ever wrote was with my old friend Curtis Mayfield, who encouraged me as a lyricist.

While more established Black pop performers like the Supremes, the Three Degrees, Love Unlimited and others were still cooing softly in the shadows of love, proudly representing a virginal image of womanhood, Labelle was waving their freak flag. Former Family Stand singer -songwriter-vocalist Sandra St. But I do feel as though I paved the way for others to be free with their music and explore themselves. Kennedy catches her breath and continues. I want you to feel as if I was totally there for you.

You have to understand, that era was about women doing their own thing. None of us were doing exactly the same thing, so there was a love for individual talents and endeavors. A decade later, fem funk drummer, singer, songwriter and producer Bernadette Cooper sipped from the same batch of courage as her predecessors when conceiving Klymaxx, Madame X and her own solo project.

This is very rare and hard to find. Dick Griffey, to check us out. He came to our rehearsal, watched us play and offered us a record deal. They did not embrace the idea. Along with fellow funk belters Lyn Collins and Vicki Anderson, Whitney made her name singing with the James Brown Revue for a few years, and her limited, much-sampled recordings for Brown-associated labels now fetch astronomical sums on the collector's market. Born in Kansas City, Kansas, Whitney began performing at the age of three with her family's touring gospel group, the Manning Gospel Singers.

In , she signed on with the James Brown Revue as a featured female vocalist, meaning that she would perform her own small set every night while Brown took a break. Whitney accompanied Brown on his late-'60s tour of Vietnam, and made other international appearances with him as well.

In , Whitney made her first solo recordings for King, Brown's label at the time. Far too gutsy and funky to cross over to the pop charts, Whitney remained with the Revue until , without scoring any more significant hits on her own. Still, cuts like "Unwind Yourself" now very recognizable through several hip-hop samples and the duet "You Got to Have a Job If You Don't Work " helped cement her reputation among record collectors.

Whitney went on to record for the Isley Brothers' T-Neck label, as well as Nashboro, but her prime material is from the James Brown years.